Clothing Trends For The Festive Time

All adult 'kimono' are cut into 8 pieces from 1 roll of cloth about 36cm, 14 inches wide and 11m long. The seams are cut straight and always the same width regardless of the wearer's size, so cloth is left over. Any extra length was tucked under or over the 'obi' depending on the gender. 'Kimono' is simple in design and there is no fasteners used to hold the 'kimono', close. 'Kimono' is designed according to age, social status and gender. Just as a married woman would wear a 'kimono' made out of darker fabrics and with shorter sleeves than a young unmarried girl. Under the 'kimono', the lighter 'kimono' is called 'Nagajuban'. An 'Han-eri'(a scarf like collar) is worn between kimono and neck. Some other dresses worn by them are 'Yukatabira'(light and loose fitting robes), 'Happi'( a short coat), 'Kamishino'(two piece costume), "Kataginu' etc. "Hakama' is like pants and has 7 folds that signifies 7 human qualities such as courage, humility, justice,chivalry, honesty, loyalty and prestige. During monsoon they wore jackets made up of straw. 'Cording', 'sashes' and 'obi' are used to close different types of jackets.All Japanese clothes are wonderfully embroidered and crafted with beautiful fabric works. Clothes are highly decorative that includes family crests, animals, bamboo, flowers, branches etc.China: The 'Pien-fu' is an ancient two piece ceremonial garment of a tunic like top extending to the kneesand a skirt or trousers extending to the ankles. In China, clothing indicated not only class gender difference but also ethnicity. Han Chinese and Manchu were two major ethnic groups in China who wore different cloths. The decorative band, appliquéd borders and richly variegated embellishment and embroidered design is one of the unique features of the traditional Chinese dress. 'He ch'ang-p'ao' is one-piece garment extending from the shoulders all the way to the heels. "Shen-I' is a cross between the 'pien-fu' and the 'ch'ang-p'ao'. It consists of a tunic and a skirt or trousers like the, 'pien-fu' but the tunic and the skirt are sewed together and essentially one piece like the 'ch'ang-pao' .Chinese clothing is not only an external expression but also an internal symbolism. Darker shades of color are preferred to lighter shades. Dresses with lighter color are worn by the people for daily use. Chinese associate few colors with seasons such as red stands for summer, black for winter, white for autumn and green for spring. They can be said to have fully developed a system of matching, coordinating and contrasting colors: and shades of light and dark in apparels.Chinese clothing has a vitality of its own. It reflects a woman's modesty. Chinese traditional silk clothing almost varies with consistency which was roughly established by the era of the Yellow Emperor and the Emperor Yao and Shan. Remains of woven silk and hemp articles and ancient ceramic figures further demonstrate the sophistication and refinement of clothing in the Shan Dynasty. Orient dresses almost vary with a woman's figure. Mature women, in such attire can display their graceful and refined manner. And above all these are as attractive as Asian land. vestido de festa infantil